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russian_revolution

Russian Revolution: Hope, Tragedy, Myths

London,British Library28 Apr - 29 Aug
Witness a world disrupted, shocked and changed forever From the fall of Russia’s last Tsar to the rise of the first communist state, this definitive exhibition takes a fresh look at the Russian Revolution 100 years on. With rarely seen items from both sides of the conflict – from a first edition of the Communist Manifesto to anti-Bolshevik propaganda – this is a unique chance to understand the lesser-known personal stories behind the events that changed the world.
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‘The Future is Certain; It’s the Past Which is Unpredictable’

London,Calvert 2223 Jun - 20 Aug
‘The future is certain’, according to an old Soviet joke, ‘it’s the past which is unpredictable’. The exhibition reflects on the ways history is written and the inevitability with which the past reasserts itself in the future. Bringing together works from nine artists and collectives, The Future is Certain is an economy of ideas and artworks as well as historical facts and records that refuse to disappear on their own.
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Serpentine Pavilion by Francis Kéré

London ,Serpentine Pavilion23 Jun - 8 Oct
The Goethe-Institut London is proud to be supporting the Serpentine Pavilion 2017, designed by Diébédo Francis Kéré. The Berlin-based architect from Burkino Faso has designed a bold, innovative structure that brings his characteristic sense of light and life to London. Inspired by the tree that serves as a central meeting point for life in his home town of Gando, Francis Kéré has designed a responsive Pavilion that seeks to connect its visitors to nature – and each other. An expansive roof,…
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Membre Fantôme at Fringe Edinburgh

Edinburgh,Institut Français d’Ecosse16 Aug - 20 Aug
In their performance, Erwan Keravec and Mickaël Phelippeau question the transformation of identity – the person we used to be but who is now gone forever. This is the ‘Phantom Limb’ which gives its name to their show. The two artists – one, a bagpiper, the other a choreographer – share a reflection around that notion of identity in art. This exploration is embodied by the dancer and the bagpipes themselves, both charged with personal and traditional history, which the…
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